"A word after a word after a word is power" - Margaret Atwood

BRIDGET WHELAN

A blog for readers and writers

A blog about the stories we tell each other and how we tell them...

Showing posts with label competitions. Show all posts
Showing posts with label competitions. Show all posts

Monday, 21 November 2011

New Writer competition closing soon

This is the 12th year of the Prose and Poetry Prizes sponsored by The New Writer magazine. Prizes are awarded in the following categories:
FACT
Essays, Articles, Interviews - covering any writing-related or literary theme in its widest sense up to 2,000 words. 1st prize £150, 2nd £100, 3rd £50.
FICTION
Short Stories, Micro Fiction - short stories 500 to 5,000 words, micro fiction up to 500 words; on any subject or theme, in any genre (not children's). Previously published work is not eligible. Short Stories: 1st prize £300, 2nd £200, 3rd £100. Micro Fiction: 1st prize £150, 2nd £100, 3rd £50.
POETRY
Single Poems and Collections - Single Poems up to 40 lines; Collections of between 6 - 10 poems - no restriction on length of poems in the Collection category. Single poem entries must be previously unpublished; previously published poems can be included as part of a Collection. Collection: 1st prize £300, 2nd £200, 3rd £100. Single: 1st prize £100, 2nd £75, 3rd £50.

Closing date November 30th

Entry fees: vary from £5 for two flash fiction stories to £12 for a collection of poetry. Reductions for magazine subscribers. 
Read the rules: follow the rules. It's not rocket science - the administrators will exclude anyone not obeying without even reading the first line...


Wednesday, 9 November 2011

The website we all need....

Writers and would-be writers and day dreaming writers owe Sally Quilford big time. She contributes a monthly column to Writers Forum magazine but, more importantly, she runs a website that gives writers a reason to get up in the morning and face the cruel blank screen.
She lists writing competitions in order of their closing date. I have no doubt that represents a lot of hard work. Why I think her efforts are worthwhile and she should be recognised for services to the writing community is that we all need a deadline. If someone hasn't given us one we need to manufacture our own...
...I must finish this chapter, novel, short story, poem before Christmas, next pay day, the kids' coming home from school...
OR by the competition deadline because this time I'm actually going to send it off into the wider world and allow it to be read, to be judged.
Careers have been forged by writing competitions: by winning of them of course (poet and novelist Tobias Hill began his career this way and every rejection, every time he wasn't short listed he sent out more on the Hydra principle - every time the serpent's head was cut off she grew two more.) But even if you never win, never see your name among the list of honourably mentioned, you will have written something.
And the only way to learn how to write is to write (and to read obviously).
Writing in the head does not count. It needs the hard finality of paper.

And the Competitions we shouldn't enter...

Sally doesn't list every competition she hears about. Here she explains why she turns down some - and I think what goes for her should go for the rest of us. There are not that many writing scams out there, but they do exist. Follow her guidelines and you should be able to avoid them...

Reasons a competition might not be listed, include (but are not limited to):
a) a comp or event run by an obvious vanity publisher who charges entrants for expensive anthologies or tries to force entrants to spend money on other goods and services.
b) the 'winners' have to spend money in order to claim their prize (e.g. if the prize is a percentage off a writers holiday, or any other writers' service, I don't consider it a prize at all, so won't list the comps),
c) I may refuse to list a comp if I feel that the organiser is only doing it to sell books. For example, I've had self-published writers contact me about their comps, which stipulates that entrants must buy their book in order to enter, either because there's some codeword or because the story must be based on something in the book. I may do it for a bigger publisher, because they generally offer much better prizes.
d) If there is no real prize to speak of, and the prize only involves being published on a website, or publication in a book which the 'winners' have to buy.
e) if I find out that a competition has taken money from entrants but not paid out prizes, or has not played fair with its entrants in other ways.
f) The details have been submitted too late to take into account postal times etc.
g) If I feel the entry fees charged are disproportionate to the prizes on offer. An example is a comp that charges £20 per entry, yet offers prizes totalling less than £100.
h) The competition does not have a proper closing date, only some nebulous idea of when the organiser thinks they've 'got enough entries'. Comps without a closing date will not be listed.
http://www.writingcalendar.com

Wednesday, 1 June 2011

Creat a video script with a message

If you live within earshot of Wave 105 you can enter Southampton City Council's competition to encourage recycling.  Watch this film to find out more.
Closing date is Thursday 16 June. Click on the title of this post for all the details

Monday, 30 May 2011

Be part of Guardian Weekend Summer Fiction Special

Wanted: an unpublished short story on the theme of journeys
Length: maximum 2000 words. .
Deadline: Mon 13 Jun 2011 
Reward: honour and glory
Every year, in August, the Guardian's Weekend magazine publishes a selection of original fiction by some of the best authors writing today. Last year's fiction special featured stories by Hilary Mantel, Roddy Doyle, David Mitchell and Barbara Trapido, among others, and this summer they will be unveiling another line-up of stellar names. Yours could be among them.
Top novelists judge the entries, and they will be looking for the most original, gripping and well-crafted pieces of writing. Their favourite story will be published in the magazine, while the five runners-up will have their stories published online.
Send your story to Short Stories, Guardian Weekend, Kings Place, 90 York Way, London N1 9GU, or email it to short.story@guardian.co.uk (no attachments). Include a daytime phone number with your entry.

JOURNEYS - the theme of the Guardian Short Story competition

running with the seagulls by eschipul
running with the seagulls, a photo by eschipul on Flickr.

Wednesday, 9 March 2011

More things you shouldn't do when entering writing competitions


Via Twitter I've had a lots of good advice from writers who also judge writing competitions. Here it is: digest and avoid! 

NICK DAWS – editor, freelance writer and tutor

Stories that clearly haven't been proofread and/or don't abide by the contest rules. A waste of everybody's time!

SALLY QUILFORD – writer and columnist for Writer’s Forum Magazine

My own pet niggle is people, thankfully rare, who 'explain' their story to you just in case you don't 'get' it. Me being really thick and all that!

SUE MOORCROFT – novelist and creative writing tutor

Return envelopes that are too small or already stuck down! you have dozens of stories to return, inadequate envelopes seem a bigger and bigger thing!
Also read (and learn from) Tania's comment on the other post about writing competitions

Three things NOT to do when entering a short story competition


After judging a couple of competitions here are a few of my pet niggles.
(1)     Don’t use & in place of and --- it sends the message that you can't be bothered to write it out and that's probably not the impression you want to give. It makes me think you probably won't be bothered to do lots of others things like develop characters I can believe in or think up a half way decent story
(2)    Don’t use fancy type like Baskerville Old Face or Lucinder Blackletter or even Rockwell. I know they sound wonderful and they look impressive on your pull down list of fonts but just because you've got 'em doesn't mean you have to use 'em. Save it for blackmail notes and jumble sale posters.
(3)    Don’t use 10 pt type for anything. Remember someone is reading your story. Remember someone is reading lots of stories before your entry comes to the top of the pile. You don't want a judge to sigh before they've read the first paragraph. This is not the time to save an extra sheet of paper.
By the way, there are nine days left to enter the Fish One Page flash fiction competition.
Word limit 300 words  
Prize 1000 euros. 
Deadline March 20. Entries accepted from around the world. 
 Reputable and prestigious, the only thing wrong with it is that if you search for fish + competition you may have to wade through a lot of bait and tackle before arriving at the right site. Instead click on the title of this post and go straight there. Good luck.

Sunday, 13 February 2011

Writing competitions...maximising your chances

A fair dollop of luck is involved in winning a writing competition but - in the words of Dizzy Gillespie - it's funny how the harder you work the luckier you get...
  • Make sure you're in with a chance by actually entering rather than simply dreaming about entering.
  • Make sure it's polished. It's a waste of time and effort to send anything that is less than your best work.  Join a writers group, go to an adult education class or cultivate the friendship of other writers and share your work. 
  • Do NOT ask someone you love for an opinion. They say it's wonderful and you'll think to yourself: what do they know. They say they weren't so sure about the second page and you'll think to yourself: what do they know.
  • Make sure you follow all the rules to the letter - don't kid yourself that it doesn't matter. The organisers of popular competitions will be actively looking for a reason to exclude entries in order to come up with a reasonable long list. The judges won't even get to read your brilliant story if you have submitted it single spaced on white paper when the rules clearly say double spaced on pink.
  • Make sure you give yourself plenty of time. Fool yourself and put the deadline in your diary a week earlier than it is in reality. Make it two weeks early if you are entering by snail mail.
  • Make sure you're strong enough to take rejection. Poet and novelist Tobias Hill says he followed the example of the hyrda of Greek legend when he entered writing competitions at the beginning of his writing career. Every time he didn't get to the short list he sent off two more competition entries. 
And finally...spend as little time as possible waiting to hear.  Work on something else (I must admit I find that very hard) and follow this sensible advice from the Australian Writers Resource (http://www.austwriters.com/AWRfiles/competitions.htm) 
 Stories and poetry that has been placed first (or any placing) in another competition will often not qualify. Does that mean you can send one entry simultaneously to more than one competition?... a commonly accepted view that you can BUT if your entry is placed in one competition then the onus is on you to inform the other competition organisers if that entry no longer meets their entry requirements.

Wednesday, 6 October 2010

FISH COMPETITION and no rods or wriggly worms in sight

This international short story competition run by a small literary organisation in West Cork punches way above its weight. 
The Fish Short Story Prize is an open door that's inviting writers to walk through it. It has to be encouraged, celebrated, congratulated. - RODDY DOYLE -
Fish is doing God's own work. It's an inspiration and an avenue to writers everywhere.
- FRANK McCOURT -
-
Good news:
  • It's well established (it's been going since 1994)
  • Big name judges 
  • If the entry fee is sizable, then so too are the prizes. (And some folk think second prize is the best prize of all and I am one of them*.)
  • The maximum story length is a lot more generous than most competitions - this is an opportunity for the big idea, the one that needs space to develop. However, having said that, you never have to write up to the limit - let the story dictate how long it should be. 
Bad news:
  •  It attracts a lot of quality entries from around the world, but you can't have prestige AND a small mail bag.  
  • Can't think of anything else.
Word limit 5000 words
Deadline November 30
Entry Fee: 20 euros if online but 25 euroes if you submit by post
First prize is €3,000, of which €1,000 is for the winner to travel to the launch at the West Cork Literary Festival in July 2011. This is to insure that wherever in the world the winner hails from, they can join the other writers at the launch, where all the writers in the Anthology will read from their work.
Second prize is €300 with a week's residence at Anam Cara, a retreat for writers and artists in West Cork run by Sue Booth-Forbes, overlooking the Atlantic Ocean on the Beara Peninsula. 
Third prize is €300.
Runners up are published in the annual anthology
* Anam Cara is an idyllic retreat for writers and artists. I stayed last summer and popped in a few weeks ago. The director Sue Booth-Forbes has a gift. She nourishes with good food and good talk around the kitchen table, she offers opportunities to become part of the local community and wellington boots in a range of sizes, and - best of all - creates an atmosphere that allows guests to be their most creative selves.  
I did so much work there. I went with 17000 words and not quite sure where my novel was going. I came away with 45,000 words, back in love with the story I was trying to tell and with a clear beginning, middle and end.

Tuesday, 28 September 2010

Brilliant competition for would be novelists

...and you can enter even if you haven't finished. The judges are looking for potential, not perfection.
They want to see a synopsis and 1500 words which can come from any part of the novel.
The First Prize is a Trophy and a contract with top London literary agent. As the organisors make clear "...nothing in the real world of publishing is guaranteed" so they can't promise your masterpiece will ever be published but the winner will be getting a kind of first class ticket to the heart of the publishing industry and the kind of cache that money can't buy. 
The judges are prestigious: Kate Mosse of Labyrinth fame (she also helped set up The Orange Prize), Peter James, author of 23 best selling crime novels - many set in Brighton - and Louise Rennison, queen of teen fiction.  
The entry fee is a hefty £15 but every penny goes to a community adult education service and the closing date is December 1st so there's time to save up and polish those 1500 words.
I should mention one tiny drawback...you have to live under a big Sussex sky to enter. Or, as the rules specify, "entrants must reside within the county of Sussex or reside at a Sussex based university."
Could be worth moving.
Find out more by clicking on the title of this post

Thursday, 12 August 2010

SHORT SCIENCE - a taste of writing creative non fiction

Want to write compelling non fiction? Test out your skills by submitting a short passage on any aspect of science, technology and related disciplines – including astronomy and psychology - as well as scientists (living or dead) to Kinglake Publishing. Short is short: minimum 100 words and maximum 200 words. So you have to be pithy, witty and accurate. It won't make your fortune (in fact I don't think you even get a copy of the book that comes out of this project) but publication might boost your confidence so you feel able to tackle that biography, text book, memoir...and it gives you a deadline...September 24 2010...and we all need those.

Click on the title of this post to go to the website. 

Choose a new name for this blog

TWENTY NINE  suggestions so far in my name this blog competition, launched because I need a title that would encourage a casual browser to come visit.  And somehow Bridget Whelan just doesn't do it.
First prize is a copy of A GOOD CONFESSION sent anywhere in the British Isles (when you submit a precious manuscript to an agent or publisher there is no second prize - same here).

I was impressed by the quality all of the suggestions. They were thoughtful and interesting....
....Twelve used puns
....two contributors sought inspiration from Seamus Heaney
....one was original and lyrical
....one made me laugh out loud (a good thing)
....one made my husband laugh out loud (not such a good thing)
Haven't made my mind up yet - the deadline is SEPTEMBER 1st. Please send me more ideas. Email me on softrain AT ntlworld.com or post it as a comment.
However, I have made one decision.

Maggie of Florida said lots of wonderful things about my teaching. Thank you Maggie, but no, I can't call it The Tenth Muse I really can't. Sorry.

Wednesday, 31 March 2010

Take the Biscuit

This is an interesting international short story competition - the winner can choose the prize.
  • £1500  OR
  • A novella (guess that's around 50,000 words) or collection of short stories published PLUS £500
The organisors are Biscuit. They have been in the publishing industry for over 10 years and most of their authors seem to come from their competition winners. It's an ingenious way of supporting and discovering new writers.
Their website gives the kind of information that you don't normally see - apparently the competition usually attracts around 400 - 500 entries and the organisors estimate that the vast majority are of a high standard.  
Entry fee: £10
Closing date: April 14 2010
Click on the title of this post to go to the website.
(There is a Second Prize of £300 and a Third Prize of £150. Seven runners-up receive £25 each. The top ten stories will be published in an anthology, and each author will receive three copies.)