"A word after a word after a word is power" - Margaret Atwood
BRIDGET WHELAN
A blog for readers and writers
A blog about the stories we tell each other and how we tell them...
Friday, 27 July 2012
Farewell to Summer School
This is a short post to everyone who attended this year's Summer School - it was a blast.
Saturday, 21 July 2012
Write a novel in three days? Of course you can. But can you edit it...
Doing anything the beginning of September? No? Then you might want to consider taking part it a 35 year old literary marathon that has produced 25 published novels in its time and a lot of tired writers. The competition is international and differs from NaNoWriMo
- It's shorter - a month is so-o-o-o long
- It costs to register
- There are prizes
The Nitty Gritty
The actual writing AND editing must begin no earlier than 12:01 a.m. on Saturday, September 1, and must stop by 11:59 p.m. on Monday, September 3. It's run on the honour system but they do ask you to give details of a witness who can verify that you've obeyed the rules.
There are no limits to the novel’s length, but they expect something in the region of 25,000 - 30,000 words. I may sound a bit picky but that's not really a novel - it's more like a very long short story. I'm not knocking it though - that's 30,000 words entrants might not have written otherwise - 30,000 words that could grow into something big and important. I approve of seat of the pants writing, where you're forced to convert all the ideas you've had floating in your head into ink and paper, forgetting the niceties of the semi colon and proper meal times.
I guess the organisers will get suspicious if you submit a proper novel length submission (that's usually reckoned to be between 80,000 and 100,000 words) accurately typed with evidence of immaculate copy editing. They say they can always tell if someone has cheated...and I bet they can, because I cannot understand why they don't let you edit afterwards. It just doesn't make sense (like some of the manuscripts submitted, I presume).
White Hot and Ice Cold
72 hours of burning fast writing sounds great - sounds like the kind of creative kickstart some of us need (hand goes up) - but editing is done with an ice cold pen, ripping out scenes, squelching witty asides and strangling endearing characters because they don't serve any useful purpose in the story. And you need distance to do that - at least a week (Aristotle recommended nine years) but definitely not during that white hot creating phase.
What do you think?
Anyone done something like this? Can you edit and write at the same time?
Monday, 16 July 2012
The Lion, the Witch and The Wardobe - book and film covers over the years
Did you fall in love with the Narnia books as a child?
A rare first edition of The Lion, the Witch and the Wardrobe is up for auction later this week. It is expected to make around £12,000 because it is signed with love from Jack Lewis - a name that the great man only used with his family and small circle of close friends. The owner was the son of a very good friend and he was given it Christmas 1950.
One thing's for sure and that is book covers have improved in the last 60 years. This one manages to make riding on the back of a lion look dull - turning Aslan into a rather large pet
I don't think the cartoon version is much better. Aslan just looks cross.
This Walt Disney DVD cover is an improvement - at least it's clear that this is not an out of Africa story.
While the modern paperback is frosty with venom, making it clear that it is tale about a world where it always winter and never Christmas.
I'm more envious of the other gift bestowed on the young Nicholas Hardie - something that can't be auctioned. The Silver Chair was dedicated to him as a child and I think it is my favourite Narnia books with the unforgettable Puddleglum as the star. It is probably nostalgia that makes me like this cover - there's not a marshwiggle in sight, or hungry giants, or a black knight. Apart from that it's just fine.
I
Labels:
Aslan,
Book covers,
C.S.Lewis,
marshwiggles,
The Lion,
The Silver Chair,
the Witch and the Wardrobe
Tuesday, 3 July 2012
TELL A LIE and win £1000
BOOK GUILD PUBLISHING, the Brighton based independent publisher, have teamed up with City Reads* to run a free short story competition.
The story must be on the theme of ‘THE LIE’ and not more than 3,000 words in length – but flash fiction fans please note that the organisers specifically say that there is no minimum length.Deadline: August 16 2012
More essential information from the Book Guild website. Find out all the the rules - and follow them to the letter. They matter. They are the difference between falling at the first hurdle without even being read and giving yourself and your writing a chance.
*City Reads is a fantastic Brighton festival held every autumn. Every year one book by one author is chosen for the whole community to read, discuss, debate and creatively engage with in a series of special events, workshops and performances. This year it is a novel set in Brighton for the first time ever - My Policeman by Bethan Roberts
The story must be on the theme of ‘THE LIE’ and not more than 3,000 words in length – but flash fiction fans please note that the organisers specifically say that there is no minimum length.Deadline: August 16 2012
More essential information from the Book Guild website. Find out all the the rules - and follow them to the letter. They matter. They are the difference between falling at the first hurdle without even being read and giving yourself and your writing a chance.
*City Reads is a fantastic Brighton festival held every autumn. Every year one book by one author is chosen for the whole community to read, discuss, debate and creatively engage with in a series of special events, workshops and performances. This year it is a novel set in Brighton for the first time ever - My Policeman by Bethan Roberts
Monday, 2 July 2012
Free advertising opportunities for writers and all things literary
I've written about WHAT THE DICKENS magazine before. It
is an excellent on-line magazine -- going into print later in the year -- and I
will soon be writing for it, so I hope you will come over and visit.
Meanwhile check out how you can use the free listings and resources section on the website and in the magazine to promote the things that are important to you.
Meanwhile check out how you can use the free listings and resources section on the website and in the magazine to promote the things that are important to you.
Competitions/Submissions/Courses/Events
If
you are running a competition or want to promote an event or course What the
Dickens bi-monthly magazine
would be happy to put details on the blog and in the magazine.
For the blog entry, just send a link and we will press straight from the page onto the blog. If no link is available then e-mail the details.
If you want to go in
the magazine (starting in Issue
6) then please also send a brief piece of about 50 words including title, info,
details and closing date.
Twitter
We
will happily consider re-tweeting your tweets about any of the above. Include
us in using @writersgifts ensuring we will always see it.
Resources Section on WTD Website
Anything
such as literary magazines, useful websites, retreats, courses, grants,
organisations and so on please send a brief piece of about 50 words including
title, info and details such as web address and we will add.
Please send to: victoria@wtd-magazine.com
and put ‘LISTINGS’ in the header. Do make it clear in the e-mail which section
you would like to go in. The magazine reserves the right to decline a submission.
Spread the word about WHAT THE DICKENS and they will spread it back
for you.
DEADLINE for October
and December
issues is September 15
Brilliant professional development opportunity for London writers
This almost – not quite – makes me wish I was back in
London.
brilliant
London Literary organisation Spread the Word has teamed up with Phrased & Confused, and Dartington Festivals to offer a unique professional development opportunity for London writers.
brilliant
London Literary organisation Spread the Word has teamed up with Phrased & Confused, and Dartington Festivals to offer a unique professional development opportunity for London writers.
The six day programme kicks off with a London-based workshop
on Wednesday 19 September 2012 (evening), followed by a 5-day residential at
Dartington Hall in Devon from the evening of Tues 9 – Sun 14
October 2012
During the residency writers will:
·
Take part in supportive workshops designed to
increase confidence and skill in performing and presenting work.
·
Develop skills in vocal projection, movement and
inhabiting texts and experiment with music and words, playing with site and
audience expectations.
·
Write and present work at the Interrogate Festival on
Sat 14th / Sun 15th October 2012
Writers will be asked to make a contribution of £200. This
will include travel to and from Dartington, accommodation and food for five
nights and tuition costs and there is one fully funded bursary to a writer that
is unable to make the £200 contribution because of financial hardship.
For further details, selection criteria and information
about how to apply email sue@spreadtheword.org.uk
Applications close on 6 August 2012.
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